Sardinia’s Nuraghe (gehzunteit?) – (ca. 1500 BC)

Nuraghe were built in a beehive or truncated cone shape, and relied on the weight of the stones – instead of a typical building foundation – to keep the structures in place. Standing up to 20 meters in height, it remains unknown as to what exactly these structures were used for. Suggestions have been made, such as: chieftain dwellings, religious structures, military strongholds, or place of assembly for local governors. While all ideas are certainly credible, it should be considered that the Nuraghe are all placed in strategic locations across the island – not only did each tower have visual contact with its neighbor, but they were also placed along important passages on the island.

The most important Nuraghe in Sardinia is at the site of Barumini, where an entire complex was constructed about 1500 BC around a three-story tower. Now considered a UNESCO World Heritage Site, Barumini was once a fortified village with a number of smaller Nuraghe centered around the three-story one, containing many corridors as well as a cache of small, bronze statues.
Although little is known about the so-called “Nuragici people”, they left behind some other small pieces of art, such as stone carvings and statues of female goddesses, and bronze representations of chieftains, hunting men, warriors and animals.
It is also speculated that the Nuragici had contact with the Mycenaean and Phoenician cultures during the height of their cultural development, which may have had some influence on Nuragici art and architecture. The Mycenaeans, renowned for their megalithic defensive architecture, may have provided inspiration for the strategically located, giant Nuraghe towers, while Phoenician skill at bronzeworking may have influenced the Nuragici’s use of bronze for their artistic statues.
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